On Mar. 11, the Optimism Basis’s We Love The Artwork contest, which launched in November 2023 and closed for entries on January 8, 2024, introduced its prime winners in classes together with AI artwork, generative artwork, and music.
After reviewing the over seven thousand entries—together with creators minting their work as NFTs for the primary time—the competition’s panel of judges has awarded prime prizes of fifty,000 $OP every to eight winners. Moreover, smaller prizes have gone out to dozens of different winners—with a complete prize pool of over $3.6 million.
Listed here are the highest winners in every class:
1/1s: Shavonne Wong, Mitchell F. Chan
Music: The Park, Aly x Bloody White
AI: Pegasus, Cam Murdoch
The competition—whose panel of judges included FaithLove, pplpleasr, cash, Cozomo de’ Medici, and our very personal Matt Medved —highlighted the advantages of the low-gas members of what Optimism calls the Superchain: Optimism’s personal mainnet, Zora, and Base.
A celebratory livestream will happen at 8 pm UTC on Monday, Mar. 11.
nft now caught up with Binji Pande and Emmanuel Aremu, in addition to six of the eight prime prizewinners, for unique interviews.
Breaking New Floor
Though the NFT area isn’t any stranger to hyped drops and contests, We Love The Artwork has damaged new floor by inviting artists onto low-gas chains, based on Binji Pande, NFT Lead at OP Labs.
“The actual fact of the matter is that L2s and NFTs haven’t actually been a factor but. Predominantly, most artwork has been on L1. It’s very costly, after all. A number of artists have felt like they don’t have an opportunity, particularly within the bear market, to start out afresh, begin new. It’s like, you’ll be able to’t be an rising artist as a result of it’s simply type of ossified by way of expertise pool,” Pande instructed nft now in a cellphone interview.
“A contest is a neater factor to supply to somebody who’s new to the area on the whole; how can we use that as a catapult/springboard for bringing in rising artists on-chain?”
Binji Pande
As liquidity, largely targeted on DeFi, returned to Ethereum at the start of 2024, fuel charges on mainnet continued to rise, dissuading artists and affecting the whole area—and Pande noticed a chance. “We have been like, ‘Okay, how can Optimism and a Superchain, broadly—so Base, Zora, and Optimism collectively—assist sort out this drawback?’ There’s a number of methods that you may go about it. You could possibly do an incentive program, or you could possibly do a bunch of various sorts of smaller issues. Or you could possibly do one thing that’s distinctive, that’s by no means been carried out earlier than, in a method that may carry new artists to this area utterly, like solely—which is working artwork contests,” he stated.
Pande and staff designed the competition to encourage a brand new inflow of artists to look in the direction of the Superchain for his or her mints. “For those who take a look at the best way the branding, and so on., for We Love The Artwork was carried out, it’s a globally accessible artwork contest—a name to motion to any artists on the planet, basically, to assume, ‘Oh, I can really apply to this crypto factor. I must make this NFT and put my artwork in, and I can doubtlessly win.’ How can we really create new swimming pools of expertise inside the area by creating a contest? That’s really very regular, proper? A contest is a neater factor to supply to somebody who’s new to the area on the whole; how can we use that as a catapult/springboard for bringing in rising artists on-chain?” he instructed us.
Alongside the understanding that artwork contests are a well-recognized idea to creators internationally, the Superchain’s low fuel charges assist encourage artists to take part. “On the tech aspect, Optimism, Base and Zora are clearly method cheaper, a lot sooner. Put collectively, that’s only a nice onboarding mechanic; it’s actually troublesome to onboard an artist onto L1 instantly when artists on Ethereum have paid $300 fuel charges—and it’s their first time ever minting. Issues like which are a giant motivator,” he stated.
Retroactive Public Items Funding
To Pande, We Love The Artwork is correct consistent with one of many Optimism group’s most distinctive practices: retroactive grants awarded to individuals who meaningfully contribute to the Superchain’s ecosystem with out the assure of compensation.
“Optimism’s complete ethos has been about retroactively funding public items: how can we create a world the place public items are worthwhile? To interrupt that down: what’s the public good? After I stroll out in my metropolis, and I see a clear road, I see a park, I see artwork round, I see somebody enjoying music on the road, these are all public items. That’s what makes town good to stay in, makes town really feel like house,” he stated.
In crypto, this construction is usually absent, based on Pande. “What really occurs in crypto—and on the planet, typically—is that the individuals who do this by no means receives a commission. There’s no revenue stream for individuals who construct public items. There’s no revenue stream in crypto for writers who’re doing issues on their very own. There’s no revenue stream for people who find themselves translating, for people who find themselves hopping on Discord and serving to out, for individuals who make open-source tooling, YouTube movies, and issues like that. There’s simply not likely a direct path to monetization there for an business that’s made like $2 trillion in market cap,” he stated.
“What really occurs in crypto—and on the planet, typically—is that the individuals who do this by no means receives a commission. There’s no revenue stream for individuals who construct public items.”
binji pande
Pande laid out Optimism’s response for us. “Our ethos is: how can we create a world the place we retroactively fund these individuals, and create a spot the place whenever you do one thing that advantages everyone, you will get retroactively rewarded for it? We wished to carry this into the fray and audit artwork as a public good as such: how can we create an initiative in order that new and present artists really feel like, ‘Okay, this can be a place that’s not making an attempt to extract from me,’” he continued.
In Web3, companions typically collaborate for a share of the mint’s proceeds, however the contest has taken nothing from any of the winners. “Optimism isn’t making an attempt to take token mints from the winners. That’s not a think about judging—we’re not right here to take a proportion of anybody’s work! [Winners] personal their work solely. We simply wished to create a enjoyable marketing campaign with our first foot within the door inside this world and attempt to create a really positive-sum ambiance the place we let new artists get found. Plus, we additionally type of push artists into understanding the Optimism imaginative and prescient: we have to finish monetary martyrdom for individuals who do the best factor and profit a complete collective,” stated Pande.
Placing It Into Apply
Requested how this audacious experiment had carried out in observe, Emmanuel Aremu, Optimism’s Ecosystem Development Advertising and marketing Supervisor, defined that though the staff remains to be processing the competition’s quantitative information, it seems to be prefer it introduced fairly a number of new individuals into the area.
“Simply at a really anecdotal stage, we noticed artists who’re doing their first mints utilizing our companions’ know-how: utilizing sound.xyz, doing mints on Zora, making an attempt OpenSea for the very first time,” Aremu instructed us. “As soon as phrase bought on the market in regards to the measurement of the prizes accessible and in regards to the judges concerned, we additionally had a variety of artists wheeling off and utilizing the competition as their first experiment in minting. We noticed a variety of proof of this within the submissions and likewise with individuals sharing publicly. When the submission deadline day occurred in January, many have been like, ‘Hey, I used to be curious in regards to the area, however this contest was the impetus and the vitality that drove me to make my very first mint,’” he defined.
“As soon as phrase bought on the market in regards to the measurement of the prizes accessible and in regards to the judges concerned, we additionally had a variety of artists wheeling off and utilizing the competition as their first experiment in minting.”
Emmanuel Aremu
Now that the competition has drawn to an in depth, it is going to be intriguing to see whether or not the cohort of newly onboarded artists sticks with Web3. For Pande, a number of distinctive options of Optimism are prone to encourage artists to stay round. Together with alternatives for retroactive public items funding—for instance, awardees for the newest spherical of proposals obtained 30 million $OP in whole—Pande hopes that the prospect of decentralized governance of Optimism tempts artists to stay round.
“For therefore lengthy, artists have been instructed what to do. They’ve been instructed to suit into this mildew, match into this standards, change their artwork so it may be commercialized, and alter this artwork to allow them to monetize it. Optimism needs to pay attention—its job is to grow to be an enablement engine. We’re a collective that anybody can be a part of; we’re constructing an web utilized by everybody, owned by nobody, and contributed to by anybody who needs to,” he stated.
Nuts and Bolts of Governance
Many DAO proposals are dry and technical, however Optimism encourages all voices in governance—even when they’re higher artists than technical consultants. “Via Optimism governance, individuals can come into this world, even when they’ve not been part of it but, grow to be a delegate, and assist direct our Treasury from the governance aspect into this area wherein they’re specialised. Optimism governance has the mission proposal request system, the place it opens up the ground to anyone—even if you happen to’ve by no means been part of the group—to put in writing a mission proposal request on what they consider the collective and crypto want to seek out extra of,” stated Pande.
“Optimism isn’t right here to inform artists what to do—we need to hearken to them and assist them have the ability to be the artistic voice in governance, serving to push the place the Treasury goes inside their world, bringing it into being as private as potential.”
binji pande
He walked us via the Optimism governance course of, which is open to anybody—not simply token holders and ecosystem contributors. “For instance, an artist or collective can go in and say, ‘I consider that we have to have elevated occasions, and I consider that wants a finances of X $OP. I feel these are the standards that anybody who applies to satisfy that mission ought to accomplish.’ From there, it goes to a governance vote, sure or no. If the group votes sure, a pool of funds has now opened up for anyone to use and fulfill that mission. Optimism isn’t right here to inform artists what to do—we need to hearken to them and assist them have the ability to be the artistic voice in governance, serving to push the place the Treasury goes inside their world, bringing it into being as private as potential,” he stated.
In response to Pande, Optimism additionally has a staff of individuals prepared to assist artists develop, supporting them to get media protection and connecting them to different artwork initiatives—like people who Superchain companions Base and Zora provide.
Although typical DAO governance could be dry, with occasional moments of drama, artists are already participating with Optimism’s decision-making course of—which is, just like the Congress, bicameral, with a meritocratic Residents’ Home wielding voting energy akin to that of $OP token holders.
“It’s been actually thrilling, truthfully—we’ve got had a staff really do the mission proposal factor to liberate a finances of 15,000 $OP in the direction of organizing occasions to point out our artists’ work inside galleries, following We Love The Artwork. That was superb to see—it was simply that occurred very organically,” he instructed us.
The Contest Mechanics
All effectively and good for these lofty ambitions—however what in regards to the mechanics of the competition? The very first thing wanted was to pick out the judges—and a rubric for evaluating hundreds of wildly distinctive items of artwork. Deciding on judges from the world of creatives, collectors, and management on the planet of crypto, with a thoughts in the direction of international variety, the Optimism staff wanted so as to add extra judges because the entries poured in. Judging took a number of rounds, and the judging interval was prolonged to accommodate the upsurge in curiosity: the competition weblog has extra in regards to the judges and rubrics.
“It’s the magnitude and the distribution and the openness and the worldwide newness of the know-how to do one thing very focused, that helps new individuals get into the area, to really feel like, ‘oh, crypto isn’t all about sustaining and getting cash. It’s about celebrating one another.’”
Emmanuel Aremu
Optimism will let the learnings from the competition inform future competitions, which might broaden in scope by incorporating blockchain writers and partnering with on-chain publishing platforms like Mirror, based on Pande.
We have been curious to be taught if something in regards to the contest was shocking to the staff. Aremu discovered the general top quality of submissions a pleasant shock.
“You noticed them begin actually slowly, after which, week on week, the standard simply saved ramping up, and folks have been tagging us to say, ‘hey, right here’s my submission’—individuals going via precisely how they put an entry collectively,” Aremu instructed us. “I feel there’s simply shock throughout at simply how a lot expertise exists in crypto and the way a lot expertise crypto can pull in when it really brings collectively its power. It’s the magnitude and the distribution and the openness and the worldwide newness of the know-how to do one thing very focused that helps new individuals get into the area and really feel like, ‘Oh, crypto isn’t all about sustaining and getting cash. It’s about celebrating one another,’” he stated.
Artists primarily unfold the phrase in regards to the contest themselves—right here’s only one of many mega threads the place artists shared their entries on X—and group members translated the competition’s educational movies and texts into many various languages.
Listening to From The Winners
Prematurely of our understanding who the highest eight contest winners have been, nft now had the possibility to ship a set of questions by e-mail over the weekend. We reached the winners at an enchanting second: every had discovered that they’d received however couldn’t but share the information publicly. Their pleasure within the replies is palpable.
Mitchell F. Chan
Mitchell F. Chan, a winner within the 1/1 class, submitted “Web3 Buddha”—a mini-game, playable in its web page on OpenSea.
The sport, wherein a circle of meditating Buddhas bids on NFTs displayed on computer systems in the course of the circle, with a barbershop model of “Hiya, My Child” enjoying within the background, is as enjoyable as it’s surreal.
nft now: How did you hear in regards to the We Love The Artwork contest?
Mitchell F Chan: Oh, it appeared as if everybody had heard about it. It was positively a kind of issues going round.
Inform us a bit about your creation—was it one thing new or one thing you had made however have been ready for the best second to share?
I created this paintings particularly for the competitors. I’ve been making video games as artworks and promoting them as NFTs for some time now. I consider that it’s essentially the most thrilling type to be working in proper now. For a principally conceptual artist, this way permits for an unimaginable depth of communication and storytelling. For a technical artist, it’s the shape which finest leverages all of the totally different affordances of digital media and calls for essentially the most from a digital artist’s ability set. However it comes with a variety of challenges!
One of many challenges is that these items appear to be fairly illegible to a sure set of collectors who extol innovation however desire the consolation of .PNG recordsdata. One other problem is that it takes me a couple of 12 months to make certainly one of these artworks—a manufacturing tempo ill-suited for the NFT market. So, for the competitors, I wished to create a chunk which distilled a lot of what I used to be doing—the technical innovation, the emphasis on interactivity, the distinctive aesthetics, and the targeted commentary—into an paintings that was just a little extra legible as a 1/1 NFT paintings. The factors for the class have been really well-aligned with the concerns that I used to be making an attempt to include into my artwork observe.
What was your preliminary response whenever you heard you have been chosen?
I used to be fairly shocked, to be sincere! I do have a variety of confidence in my artwork and its qualities, however nonetheless, lots has to go proper to win a contest like this, with so many candidates.
Because the bull market heats up, meme tokens are within the foreground, and artwork is usually missed. What can we do as a group to verify our superb creators like your self are getting the visibility wanted to make nice gross sales and profit from abundance as liquidity flows again into the area?
Tradition isn’t a set of artifacts which spring forth totally fashioned from the minds of touched-by-god geniuses and instantly illuminate and enlighten all who encounter them. That’s a really simplistic fantasy. Tradition is a shared story that’s constructed by a broad coalition of various roles. Artists are on the middle of it, sure, however writers, curators, and different arts professionals.
For example: lengthy earlier than I used to be artist, I used to be a really unhealthy artist. I turned artist as a result of I used to be in a position to be taught my abilities at grassroots-level artist-run facilities, that are staffed by individuals who make one thing like $35,000 per 12 months. Within the NFT world, these areas don’t exist as a result of this ecosystem has not discovered learn how to spend money on arts directors and educators that construct worth slowly and not directly. I turned artist as a result of I learn some books and essays that have been written by very good writers who have been in a position to ignite some spark of connection in my mind. Within the NFT world, these writers are very, very, very arduous to seek out as a result of this ecosystem has not discovered learn how to spend money on writers and critics that construct worth slowly and not directly.
“I turned artist as a result of I learn some books and essays that have been written by very good writers who have been in a position to ignite some spark of connection in my mind. Within the NFT world, these writers are very, very, very arduous to seek out as a result of this ecosystem has not discovered learn how to spend money on writers and critics.”
mitchell f chan
I turned interactive artist as a result of curators created alternatives the place I might check out concepts on progressively larger levels. Within the NFT world, these curators are very, very arduous to seek out as a result of this ecosystem has not discovered learn how to spend money on curators and cultural laborers who construct worth slowly and not directly.
After I entered, I made a promise to myself that if I received, I’d pay half the cash ahead to the kinds of cultural laborers who’re *important* to a resilient, wholesome arts ecosystem.
So whenever you ask, “What can we do as a group to provide creators visibility,” the reply is definitely to take a extra holistic strategy. There’s really a complete sector of actually good, gifted individuals who do that, and I’ll attempt to assist them as finest I can.
Shavonne Wong
Shavonne Wong, a 3D digital mannequin creator, additionally received within the 1/1 class. Her entry, “Whirlwind of the Waking Dream,” is a stunning animation of a lady passing via fantastical dream situations as shortly as one may change the TV channel.
nft now: How did you hear in regards to the We Love The Artwork contest?
Shavonne Wong: Discovered about it on Twitter and a few group chats. Folks appeared enthusiastic about it, so I figured, why not give it a shot?
Inform us a bit about your creation—was it one thing new or one thing you had made however have been ready for the best second to share?
“Whirlwind of the Waking Dream” is a model new piece in regards to the dizzying pace of at the moment’s world, particularly as we get nearer in the direction of a extra digital future. This piece was a problem I set for myself; it was an concept that sat with me for some time, nagging behind my thoughts. It felt daunting, partly as a result of it meant venturing into methods I hadn’t discovered but. This contest was simply the nudge I wanted to lastly carry this imaginative and prescient to life. It’s my tackle making an attempt to maintain up in a world that by no means stops shifting.
What was your preliminary response whenever you heard you have been chosen?
Actually? I believed it was a rip-off once I first noticed the e-mail. However then, seeing the official tweet confirming the emails had gone out turned that skepticism into pleasure. Figuring out the caliber of artists I used to be up in opposition to makes this recognition all of the extra surreal. It’s a humbling validation that I’m on the best path.
Any thrilling plans on your prize?
There’s a giant undertaking I’ve been plotting for this 12 months. I used to be eyeing grants to kickstart it, and whereas I’ll nonetheless pursue these, this prize means I can forge forward with much less monetary stress hanging over the undertaking.
Because the bull market heats up, meme tokens are within the foreground, and artwork is usually missed. What can we do as a group to verify our superb creators like your self are getting the visibility wanted to make nice gross sales and profit from abundance as liquidity flows again into the area?
We’ve bought to maintain innovating and pushing forward, making our nook of the world so vibrant and plain that extra individuals, collectors included, need in. It’s much less about competing with the meme token hype and extra about persevering with to carve out an area the place artwork thrives by itself phrases.
Sam Hains
A winner within the generative class, Sam Hains minted “Bullet Heaven [YOKO],” a 326-token, generative sequence with the vibe of old-school arcade video games, that includes chiptune soundtracks and a chaos of letters, shapes, and pixels that you may have an effect on by tapping the display.
nft now: How did you hear in regards to the We Love The Artwork contest?
Sam Hains: I heard about it via associates within the NFT group.
Inform us a bit about your creation—was it one thing new or one thing you had made however have been ready for the best second to share?
The undertaking was impressed by Danmaku/Bullet Hell (which interprets to “Bullet Curtain”) arcade video games characterised by complicated patterns of bullets that fill the display.
I had the thought for a number of years. I turned obsessive about Bullet Hell arcade video games in the course of the pandemic, although I by no means actually had the endurance to get good at them. I used to be drawn in by the acute issue of those video games and the overwhelming, maximalist visible aesthetic. The concept is that the gamer should practice so extensively, feeding the arcade machine with all of their money and time. This concept of a poisonous, psychologically abusive relationship between gamer and machine. That person interfaces could be weaponized in a method, and ship individuals right into a darkish trance state. Arcade machines, casinos, and slot machines all have this high quality, and I’m fascinated by the concept that the human expertise of transcendence could be designed and programmed in such a method.
I used to be additionally taken with drawing out the concept that bullet hell video games are generative artwork. Or that generative artwork exists in every single place. It’s a bit like Corey Archangel’s “Tremendous Mario Clouds,” the place if you happen to take away every little thing besides the bullets, you’ll be able to see the system in its most perverse and psychedelic type.
What was your preliminary response whenever you heard you have been chosen?
Hains: Shocked, shaken. I solely simply awoke.
Any thrilling plans on your prize?
I’m splitting a few of it with my collaborator, Wretched Worm, who designed the UI, the backgrounds, and the emblem. I additionally need to give a bonus to my composer, Manapool. I need to give some away to extra deserving artists than me. However I solely simply discovered this out, so I’ll want extra time to consider it.
0xfff
0xfff, profitable within the Generative class, used the blockchain itself as a part of their creation. They dropped “YOU ARE HERE,” a conceptual assortment whose particular person tokens could be bridged between a set of EVM-compatible blockchains—with every bridge creating a visible hint on the token’s paintings.
nft now: How did you hear in regards to the We Love The Artwork contest?
0xfff: It hadn’t been on my radar till the deadline extension was introduced, which I feel I noticed on Twitter instantly. By then, I used to be already deep within the execution of my piece, “YOU ARE HERE,” however I had deliberate to launch it a number of weeks after the deadline. So the WLTA was a catalyst and I hunkered down within the week after the brand new 12 months. With the assistance of @0xmons, I used to be in a position to push it out earlier than the deadline.
Inform us a bit about your creation—was it one thing new or one thing you had made however have been ready for the best second to share?
Sure. The concept was one thing I had been enjoying with for some time. However as I discussed beforehand, the WLTA contest was the catalyst that basically made me push it out. On the whole I feel WLTA was accountable for lots of artists releasing work they might have in any other case not or not as quickly.
What was your preliminary response whenever you heard you have been chosen?
It’s nonetheless very surreal. Pleasure, gratitude, but additionally willpower. I’m saying this as a result of the timing is completely excellent. I had been engaged on going full-time for some time, and seeing the responses I bought to “YOU ARE HERE” at launch led me to wind down all my different engagements. By June, I’m formally totally invested in making artwork for the world laptop. This prize permits me to throw myself totally into it, and I intend to make the very best of it.
Any thrilling plans on your prize?
Other than permitting me to radically experiment, after all I intend to place it to good use and assist the artwork that I need to see extra of. I will probably be serving to arrange a present this 12 months, which I additionally am in a position to assist financially now to get it off the bottom.
Because the bull market heats up, meme tokens are within the foreground, and artwork is usually missed. What can we do as a group to verify our superb creators like your self are getting the visibility wanted to make nice gross sales and profit from abundance as liquidity flows again into the area?
Personally, I’d wish to see much less “drops” and extra exhibits. Regardless of if digital or bodily. Organizing and curating exhibits after which fostering dialog/discourse round that’s most likely probably the most efficient technique of lifting up artists.
Somebody lately posted one thing alongside the traces of: “As a collector, your job begins after accumulating a chunk,” and I agree. The primary factor we are able to do for creators who’re at this second working with this medium is to maneuver away from all of the “firsts” and questions “historic significance” and concentrate on the artwork that’s being made now. Assist artists in making bizarre, daring artwork. Assist them push the boundaries and please no matter you do, by no means ask an artist for utility.
Cam Murdoch
A winner within the AI class, Cam Murdoch entered “Surf Noir Trailer 001,” a 90-second animation a couple of boy in an alternate world wherein humanity lives on a scattering of islands, together with the titular Surf Noir. He’s by no means visited the opposite islands—however sooner or later, he guarantees to himself, he’ll set sail.
nft now: How did you hear in regards to the We Love The Artwork contest?
Cam Murdoch: The competition hyperlink was being shared round in an artist group chat that I’m in. Really, this identical chat, that was began by my good friend Jamee Cornelia, has been instrumental in giving me a way of group with fellow artists in Web3.
Inform us a bit about your creation—was it one thing new or one thing you had made however have been ready for the best second to share?
Surf Noir is a world that I’ve been ideating since 2019, together with the theme of Future Surf. I’d been experimenting with AI instruments for about two years, creating the type and lore of this world. On the time the competition was introduced, I used to be already engaged on this trailer to announce my partnership with p00ls.io and the creation of my $SHELLZ token. After I came upon in regards to the contest and the period of time I had, I considered making one thing totally different, however my good friend Appeal Taylor stated, “For those who assume lengthy, you assume fallacious,” which inspired me to lean into the divine timing of what I used to be already making.
What was your preliminary response whenever you heard you have been chosen?
It actually hasn’t sunk in utterly. I’m not as stunned or as emotional as I believed I is likely to be, however I simply don’t assume it’s hit me but. I simply know that my life is modified by this, and I’ve an enormous alternative to take action many issues that I’ve all the time wished to do for my artwork and, for my household, and for my group.
Any thrilling plans on your prize?
In full transparency, I’ve been battling houselessness for the reason that Summer time of 2022. Previously six months, I turned these lemons into digital nomad lemonade. Proudly owning a house is prime of thoughts for certain. Moreover, I’m simply able to get to work on a few of these concepts which were stalled for lack of funding.
Because the bull market heats up, meme tokens are within the foreground, and artwork is usually missed. What can we do as a group to verify our superb creators like your self are getting the visibility wanted to make nice gross sales and profit from abundance as liquidity flows again into the area?
This contest was an important begin. However I feel that the whole area owes artists a seat on the desk this 12 months as a result of we’ve got a lot to supply along with artwork. The crypto area is barely cool as a result of artists made it cool. I feel there are numerous alternatives for firms within the area that don’t have anything to do with artwork, to often collaborate with artists as artistic administrators, UI/UX designers, branding consultants, product design consultants, merch designers, and so on. It will be nice to see the innate artistic expertise right here employed by extra bounties. For instance, my hometown is constructing an enormous bridge and pouring billions of {dollars} into it—nevertheless it took a neighborhood artist to inform them that they have been lacking a chance by not working with creatives to make it one thing fairly and iconic. I take into consideration this on a regular basis once I see crypto merchandise made, oftentimes FOR ARTISTS, the place there’s a skipped step wherein they don’t herald sufficient artists to assist make the factor functionally aesthetic.
The Park
A winner within the Music class, The Park received with “becky v2,” an eclectic, danceable observe created by 14 musicians from Kampala, Uganda, and California’s Los Angeles.
They didn’t reply to our questions instantly however despatched us the mint’s description, which does an important job of answering them and is shared under in full.
“becky v2” is the park + shwento. fridays on the park goes from l. a., ca, to kampala uganda, and again to l. a. ⌐◨-◨ collective creation throughout nations, states, continents, a primary for us all. off and on-chain collaboration and coordination, world extensive ⌐Ⓗ-Ⓕ completely satisfied friday
The Park exists to…
Foster and assist music and humanities as public items via an on-chain strategy
Foster collaboration inside the music group
Showcase on-chain processes and applied sciences
Encourage and inspire a brand new wave of artists to have interaction with on-chain platforms
Fridays at The Park is an exploration in letting the pure movement of creativity information our content material. We consider that the great thing about this undertaking lies in its spontaneity and the natural fusion of concepts from various backgrounds. By no means would we’ve got thought we’d be creating with a staff of recent associates in Kampala, Uganda. Big Shouts out to Ethereum, to Base, to Optimism, to ZORA.
